By Margaret McPhee
SHE’S BEEN WARNED approximately males LIKE HIM... Sebastian Hunter has proven his final hand on the card desk. Nights as soon as spent womanising and playing at the moment are spent at the hours of darkness shadows of Blackloch corridor, staring out onto the wild, windswept Scottish moors. that's until eventually the mysterious Phoebe Allardyce – his mother’s new and much too beautiful spouse – interrupts his brooding. After catching her thieving, the grasp of the home has no selection yet to maintain an in depth eye in this provocative little temptress... gents of Disrepute Rebellious rule-breakers, able to wed!
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Extra info for A Dark and Brooding Gentleman (Gentlemen of Disrepute, Book 2)
2. Bibliography in Jean Froissart, Chroniques. 2 Vols. Ed. Ainsworth, Diller and Varvaro. htm. 3. It may be appropriate to speak of ‘propaganda’ in this connection, though ‘party sympathy’ might be just as apt. 4. According to Godfried Croenen (paper, July 2005 Medieval Chronicle Conference, Reading) similarities between the rubrics found in these manuscripts suggest a possible common origin. 5. This manuscript provided the focus for a paper delivered in February 2005 at the Institute of English Studies, University of London, in the context of the British Library’s project aiming to produce a complete electronic catalogue of all of the manuscripts in the Arundel Collection.
20 Peter Ainsworth ——— (1974). French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. 2 vols. London and New York: Thames & Hudson. Stratford, J. (1993). The Bedford Inventories: the worldly goods of John, Duke of Bedford, Regent of France (1389-1435). London: Society of Antiquaries of London. -H. (1986). ’ Romania 107: 282-368. Varvaro, A. (1994). ‘Il libro I delle Chroniques di Jean Froissart. ’ Medioevo Romanzo 19: 3-36. Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI.
Clearly such a translatio of a learned text for a courtly audience will include rhetorical embellishment in the shape of ornate and elegant speeches, or passages in which the poet describes such scenes as court festivities and battles. , Chronique 30742-70). In the same way, he sprinkles descriptive vignettes across his page. An excellent example occurs in his version of the story of duke Richard Sans Peur’s encounter with a diabolically animated corpse. Wace, who includes the anecdote in his Geste des Normanz, gives no more than a basic background; Benoît, on the other hand, transforms the scene into a perfect example (possibly the earliest in Old French) of the ghost-story genre with a vivid little sketch full of atmospheric details: the graveyard at dusk, the wind blowing through the yew tree, the single light just 18 visible through the half-open chapel door.