By Christina Dodd
"Headstrong and adventurous, Bronwyn Edana usually stuns well mannered society together with her reckless exploits. yet there's one kind of take advantage of the fiery good looks hasn't ever skilled. nonetheless blameless by way of males and their roguish methods, she will slightly think the breathless wish she has all started to think for Adam Keane, a distinctive nobleman and a guy with greater than his fair proportion of liaisonsin his earlier . . .
Now branded via a haunting tragedy, Adam won't relaxation until eventually he lures Bronwyn to his mattress. whilst a surprising conspiracy threatens their lives, he'll convey her from the damaging streets of London to the sweeping countryside—for he has visible sufficient of the realm to grasp ardour like theirs is priceless.
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*They are The Duke’s Men*—an investigative business enterprise born out of kin delight and impossible to resist ardour . . . and so they hazard their lives and hearts to solve any surprising deception or scandalous transgression!
Maximilian Cale, the Duke of Lyons, accredited in the past that his abducted brother used to be lifeless. while a cryptic notice from investigator Tristan Bonnaud claims differently, Max seeks out Tristan’s sister, Lisette—and is infuriated to benefit that Tristan has mysteriously vanished. Have the siblings perpetrated an tricky hoax? Or is the fiercely protecting good looks as blameless as she claims?
Fearful that the robust duke will spoil Tristan’s occupation in his zeal for the reality, the smart Lisette convinces Max to accompany her to Paris in a joint look for their household. yet their trip takes a seductive twist once they pose as a regular husband and wife—not an English duke with a tarnished relations identify and the illegitimate daughter of a viscount—and realize a thrilling ardour loose from the damning secrets and techniques of the prior. With the road among possibility and wish enticingly blurred, they detect that a few mysteries, like these of the guts, are responded tenfold within the bliss of a real and trusting love.
"New York instances bestselling writer Connie Brockway invitations you to regency England for HER CAPTIVE, e-book 3 of as soon as UPON A PILLOW, the wildly romantic tale of an impressive mattress and the passionate who proportion it through the a long time!
In HER CAPTIVE, a highwayman’s appealing sister will do whatever to guard her brother from the daring captain set on his path, whether it capacity chaining her livid former lover to his personal mattress!
Co-authored with romance star Christina Dodd Romantic instances known as as soon as UPON A PILLOW ""pure enjoyable! ' take pleasure in all 4 novellas!
-- FIRST KNIGHT by means of Connie Brockway
-- abducted through Christina Dodd
-- HER CAPTIVE: via Connie Brockway
-- final evening through Christina Dodd(coming June sixteen! )
"A girl pressured. . .
In the glittering global of Regency England, Anne Wilder performed a deadly video game. A widowed woman by way of day, by means of evening she turned a masked thief preying on society's elite. She roved excessive above London's black rooftops, forced by way of phantoms from her prior to take ever higher dangers. Until her stressed spirit led her into Colonel Jack Seward's seize. . . the place seduction used to be her in simple terms method out.
A guy obsessed. . .
She'd performed him for a idiot, making the most of his hungry reaction to flee from his clutches. But as Jack looked for his thief, his middle fell captive to a self-possessed widow. Torn among illicit ardour and soft love, Jack is duty-bound to catch the audacious legal, whether it potential ripping society aside to take action. Now he stalked her throughout the *ton,* by no means knowing the beautiful widow who captured his middle was once an identical girl who roused his such a lot violent passions.
A love that rejected king and nation. . .
The plot has creative twists and turns, and the backgrounds are lush and evocative. it truly is solid, pleasant enjoyable. -Publishers Weekly She's something via day, whatever else altogether by way of evening. .. After escaping the slaughter of her extended family at a tender age, Scottish noblewoman Sabrina Verrick presents for her siblings through dwelling a double lifestyles, till the evening she encounters the Duke, and her mystery and all she holds pricey is threatened.
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Extra info for Priceless
2. Bibliography in Jean Froissart, Chroniques. 2 Vols. Ed. Ainsworth, Diller and Varvaro. htm. 3. It may be appropriate to speak of ‘propaganda’ in this connection, though ‘party sympathy’ might be just as apt. 4. According to Godfried Croenen (paper, July 2005 Medieval Chronicle Conference, Reading) similarities between the rubrics found in these manuscripts suggest a possible common origin. 5. This manuscript provided the focus for a paper delivered in February 2005 at the Institute of English Studies, University of London, in the context of the British Library’s project aiming to produce a complete electronic catalogue of all of the manuscripts in the Arundel Collection.
20 Peter Ainsworth ——— (1974). French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. 2 vols. London and New York: Thames & Hudson. Stratford, J. (1993). The Bedford Inventories: the worldly goods of John, Duke of Bedford, Regent of France (1389-1435). London: Society of Antiquaries of London. -H. (1986). ’ Romania 107: 282-368. Varvaro, A. (1994). ‘Il libro I delle Chroniques di Jean Froissart. ’ Medioevo Romanzo 19: 3-36. Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI.
Clearly such a translatio of a learned text for a courtly audience will include rhetorical embellishment in the shape of ornate and elegant speeches, or passages in which the poet describes such scenes as court festivities and battles. , Chronique 30742-70). In the same way, he sprinkles descriptive vignettes across his page. An excellent example occurs in his version of the story of duke Richard Sans Peur’s encounter with a diabolically animated corpse. Wace, who includes the anecdote in his Geste des Normanz, gives no more than a basic background; Benoît, on the other hand, transforms the scene into a perfect example (possibly the earliest in Old French) of the ghost-story genre with a vivid little sketch full of atmospheric details: the graveyard at dusk, the wind blowing through the yew tree, the single light just 18 visible through the half-open chapel door.